I have been toying with the idea of writing a post on class for some time (in fact for most of the time this blog had been sitting dormant I have been periodically writing and abandoning drafts of this post. I have been spurred to action by this week’s #MuseumHour, which skilled over from its allotted 8-9pm schedule and had museum tweeters in heated debates for most of Monday evening. I have a lot of thoughts which I found hard to express in a tweet.
I recently shared an article on Twitter, ‘The Boleyns and the Bechdel Test’ about two costumed interpreters’ efforts to create heritage interpretation at Historic Royal Palaces which would pass the Bechdel Test.
When I started this blog almost a year ago, it was because I wanted to push myself. I was working in a national museum in a junior role where I learnt a lot about the practicalities of collections management, but didn’t feel stretched, and didn’t feel like I was flexing all the muscles I developed during my Museum Studies MA. I was facing a lot of challenges and frustrations when it came to pursuing the next stage of my career, and was keenly aware of the parallel challenges and frustrations facing the museum sector. I had a lot of ideas and didn’t feel like I had an outlet for them, so I started Acid Free.
When I started Acid Free I wrote a round up of emerging trends I was noticing in museum practice and displays, and I intended to follow it up regularly, but have been slow to do so. After fretting that I had left it too late and many of my ’emerging’ trends related to exhibitions that have been and gone, I sat down to write about some thoughts on museums goings on I’ve been collecting over the summer. I realised that many of these trends are actually part of a wider trend – museums working in collaboration with other sectors and art forms.